The future of Comics &

Web Comics:

Octopus Pie

by: Meredith Gran

     Before Coming into this class I did not know of web comics. I was content with the seldom viewing of Garfield or Calvin and Hobbes from the rare Sunday morning paper. I now know of web comics and seek them out regularly... I don't even have to buy a newspaper.

     I read a lot of Octopus Pie because it was what was recommended, and I see that it deals with topics that might be a little to risky for conventional Sunday Comics. It is in fact this aspect that draws me to it. I will probably always be drawn to whatever is trying to break convention because that is my nature as well. I appreciate the blunt nature of most web comics and see it as a leading comics platform in the future.

     I enjoy the format and it's environmentally friendly nature. Although I do think that comics in the from of the Sunday morning paper will persist as long as there is a demand for newsprint. I think that wen it is all said and done interactive web comics will be at the top of the heap. 

     It is interesting to think of where comic books will go in the future in the internet arena. I imagine flipping through pages and being able to interact with each panel in some form or another, or to think about what virtual reality will bring to the comics genre and all the ideas that image conjures up.

     Web comics lends itself completely to independent artists, which I am very grateful for. I love the idea of being able to publish anything your heart desires, and as long as you have an audience your work will be recognized.

     

  

The Watchmen

      

Relevance of the 21st Century 

Super Hero

     The Watchmen is The book that got me into the whole Graphic Novel genre. I saw the movie trailer and was taken in by its visualization. I felt like I had to read the book before watching the movie and I was glad that I had. Alan Moore created a very successful book in that he created a world with characters that were relevant to the time that they were made, even if it was a period piece from the 80's.
     The movie was very accurate to the book, much the way that Frank Millers The 300, and Sin City reflect the graphic novel almost page for page. The Watchmen pays homage to the Authors style on the page, but Moore himself is a very outspoken hypocrite of Hollywood. On the one had he disparages any and everything having to do with modern cinema, and on the other he readily sell the rights of his work to be produced by the very thing that he seems to hate. He has done much to keep the idea of the super hero relevant, but it is hard to look past the imposing duplicity of Moore.
     Before taking this class I never would have given the relevance of the modern super hero much thought. For me it felt like they were always around, but I think that is due to me growing up in the pinnacle of the age of the comic book either independent or corporate driven. I feel that the story of the super hero will always be a legitimate source for new work in the graphic novel and comic book environments, I mean after all it was on their backs that the industry was built.
   






 

Persepolis

by Marjane Satrapi

   
     This week was a study of women's influence on Comics and the Graphic Narrative. I chose Persepolis by Marjane Satrapi. I chose this work because I knew nothing about it. After and during reading it I could not help but relate it to Maus. It was set in the Iranian Revolution of 1980 and takes place from the perspective of the Author (who at the time was 10-ish years old). It imparts on me a feeling of liberation of women in general from all forms of oppression, or at least women who are not sucked up into the ideologues of the machine of religious reform.
   A part of the book I found very interesting and similar to Maus was that at one point her mother is criticizing others for taking to much when there is no food on the shelves in the sores, and when they get outside she asks how much rice she managed to carry out. When she sees that it is enough to last them she then says they need to go to the next store to see if they can find more. Much the same way in Maus that the Grandfather was criticizing African Americans while explaining the persecution of his Jewish people by the Germans.
     I think this book sheds a whole new light on Iran for me. In fact I never new it to be the progressive nation that it was. Even if that was due to European Imperialism. It is nice to have the story told to me from this angle because it gives me another perspective to consider when thinking about how I feel about Iran in the current role it is playing in Geo-Politics.

Asterios Polyp

by: David ­Mazzucchelli

A quick Review

     This is a story of a journey of perceptual awakening. Asterios is just traveling along trying to interpret information about his surroundings that he views in specific black and white dualities. 

     Asterios Polyp is a paper Architect / Academic whose house gets burned down and he then relocates to middle america where he has a very introspective reflection of his past life with his wife, a first generation Japanese American artist named Hanna, who tries to motivate him into a broader view of the world and the people in it.

The book is packed with graphic art as context, and by that I mean Mazzucchelli uses the way he lays out a page with the colors and lineweights and style to bring about an emotion response from the reader. Like when Asterios and Hanna are having an argument he becomes much more cyan and geometric looking and Hanna becomes much more hand drawn looking with red shading all around her and her surroundings.

     Overall I found this book to be a very nice read, I liked the use of the graphic style to relate context of the emotion that was being carried out in whatever scene I was reading.

     

Promethea

Response to 3 questions

1) Are there any prominent symbols? If so what are they, and how are they used?

     There are quite a few symbols in this comic, to name a few are the Sun symbol, as well as the Circle, and a weeping Gorilla were the most prominent symbols I could see. The Sun may be alluding to monotheism of the side of the story that is overtaking, or attempting to overtake the old gods. The Circle I am sure represents the way that all of Prometheus's stories come back and repeat, as in when he story is in the past, then the break into many, and then the culmination of passing from one form to another.  I am not exactly sure about the Gorilla and I don't have a lot of time right now to sit and stir on it.

2) Discuss elements of the story you were able to connect with.

     I was able to connect to this story in a visual way more so than in a narrative fashion. The way that the pages were laid out and composed was pleasing to look at. Also the coloring was very good along with the line work. If I had to try to connect with the narrative it would probably be that I am well aware of college mid-terms coming up and sympathize with Sophie's frustrations. I can also connect with the metamorphosis aspect of this story, to change from one thing into another when Sophie was not even expecting it, is a very strong motif and makes for a great story.

3) What changes would you make to adapt this story into another medium? What medium would you use? What changes would you make?

     I am in GAD so of course my first inclination is to turn this into a game. I think I would adapt this my coming up with a  different way for Sophie to meet Mrs. Shelly. I would also make the Smees less of a dark shadowy figure and give it more physicality, for the sake of interacting with it in a game. In fact I may just rethink the Smees and their origins altogether so that I could come up with some antagonist Boss for Sophie to have a climactic end to.